CHAPTER VI
ART IN THE THIRTEENTH AND FOURTEENTH CENTURIES
DURING the Venetian period, with the increasing wealth and consequence of Ragusa, the city itself was beautified by the erection of numerous handsome buildings, both lay and ecclesiastical, and by 1358 it was almost entirely reconstructed. In its early days the walls, the castle, and one or two churches were the only stone edifices; all the rest of the town was of timber. Throughout the thirteenth and fourteenth centuries the defences were increased, new bastions erected, and the older walls strengthened. The city now occupied both the seaward ridge and the slopes of Monte Sergio. The walls by which it was surrounded climbed painfully over the rocky eminences on each side, and dropped down almost to the sea-level in between. The fortifications did not acquire their present aspect until the sixteenth century, but parts of them were begun much earlier. Four towers were erected at the entrance of the harbour on the south-east side of the town, of which two—San Luca and San Giovanni—still survive. The latter, which is now called the Forte Molo, a huge round bastion, has been considerably altered in later times; San Luca has preserved
more of its original character. Of the tower called the
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