CHAPTER XIII
ART SINCE THE YEAR 1358
  A FTER the departure of the last Venetian Count L\ from Ragusa in 1358, although Hungarian polit-ical supremacy succeeded to that of Venice, the artistic and civilising influence of the Most Serene Republic survived,and its impress in the town is unmistakable to this day. The pointed arches in the Venetian Gothic style, the carved balconies, the two-light and three-light windows, the general character of the stonework and sculpture, in spite of certain distinctive features, bear witness to the strength of Venetian example. Venice was the nearest centre of civilisation to Ragusa, and the fountain-head of art. In spite of the jealousy and suspicion which the little Republic always felt towards its powerful neighbour, many Ragusan artists received their training in Venice, while many Venetians came to execute work on the public and private buildings of Ragusa. Venice was not, however, the only city which thus influenced Ragusa; other Italian towns, such as Ancona, Florence, Padua, and Naples, contributed towards her artistic development, in which even Hungary had some small share.
   The most important and interesting building in the town is undoubtedly the Rector’s Palace, which is to Ragusa what the Ducal Palace is to Venice. It was com-
339