ÆocToeBCKHfi, HexoB. Muoro HHTepecHoro 6buio CKa3aHO o tbop^cctbc M. K). JlepMOHTOBa — no3Ta, CTOJib 6nH3Koro h co3ByHHoro Harnefi snoxe. C niy6oKHM yaoBJieTBopenHCM otmcthjih ynacTHHKH ci>e3aa nposB/iennbift b caMbix pa3JiHHHbix yroJiKax Mnpa HHTepec k tbkhm CBoeo6pa3-HblM M « TpyflHbIM » flJIH nOHHMaHHH pyCCKHM nHCaTejIBM KaK Torojlb, Tepucn, CaJlTHKOB-llleflpHH, HtepHbimeBCKHÖl. BaîKHyio CTpaHHuy b paöoTe Cbe3,aa cocTaBHJiH cooöiueima, nocBamcmibie pyccKoii KpnTHMCCKOft mmcjih — b nepByio 04epeAb pa6oTaM EeJiHHCKoro, HepHbimeBCKoro, flo6ponio6oBa, Fepuena.
     HaxoHeu, oneHb 6ojibiuoe MecTO 6mjio OTBejieHO BonpocaM MOK^ynapoanbix cBH3efi pyc-CKOft jiHTepaTypbi — napajijiejibHOMy aHajiH3y npoH3BeaeHHîl ilyiuKMHa m BafipoHa, ToroJia h ^HKKeHca, TcpueHa h TeTTHepa, EeJiHHCKoro h Â. Tcps, a Taioice npo6jieMe bjimhmhh h b33hmo-fleftcTBHH pyccKoii JiHTepaTypbi c JiHTepaTypaMH cjiaBancKHMH h 3anaAH0-eBponeficKHMH2. XapaKTepHOii nepTOH HacToawero cte3fla 6mjio to, hto /uia o6cy*,aeHHa Ha HeM BbiHOCHJiHCb paëoTbi caMoro pa3JiHWHoro npo())HJin h flnana30na. 3aecb mohcho 6bino ycjibimarb coo6menMn, nocTpoeHHbie Ha aHaJiH3e oahoto npoH3BeaenHii h aajKC KaKoro-jui6o ero acneKTa, h coo6ineHHa, nocBamenHbie rpynne cxoAHbix np0H3BeaeHHii, TpaKTyioiizHe onpeAeJieHHyw npoöjieMy b tbop-HCCTBe OAHOTO HJ1H HeCKOJlbKHX nHCaTeJleÖ, CBa3bIBaK51UHC TBOpHCCTBO TOTO HJ1H HHOTO nHCaTeJlH C nrapOKHMH i|)HJ1 OC0<J)C KHMH HJ1H COUHajlbHO-nOJlHTHHeCKHMH npOÔJICMaMH.
     CpeflH paöoT, onHpawiuHxca Ha iuhpokhü oxBaT MaTepwajia, cjieayeT oTMeTHTb AOWiaA Æ- ß.. Bjiaroro « Ot riyinKHHa ao MaaxoBCKoro »3. noCTpoemioe Ha yneie BaacHefliuHX 3aKOHO-MepHOCTeö pa3BHTMn pyccKofi JiHTepaTypbi XIX — Hanajia XX bb., 3to HCCJieaoBaiiHe aaeT non-jihhho HayMHoe ocBemeHHe Bonpoca, h6o jiHTepaTypa uejioro BeKa, KJiaccHHeCKaa pyccKaa jiHTe-paTypa, npeacTaeT b HeM He b BHje HarpoMowaeiiMa OTfleJibHbix <j>aKTOB h 3iih30,h0b, a ocBe-maeTCH KaK jimepaTypHbifi npoi/ecc, onHpawmHôcji na o6i>eKTHBHbie 3aKOHbi paiBHTHa ncKyccTBa h oöiuecTBa.
     Ecjih yKaiaHHoe HccjieflOBauMe hcxoaht b TpaKTOBxe nocTaBJieHHoro Bonpoca H3 BaiKneii-UlHX AOCTH>KeHHÖ COBpeMeHHOÖ HayKH, B HaCTHOCTH COBCTCKOrO JlHTCpaTypOBe/ieHHil, BaJKHOC cjiobo b Kotopom npHHaiiJie>KHT caMOMy A- A- BjiaroMy, to ana aBTopoB paAa Apyrnx 3aHH-TaHHbix Ha Cbe3fle paSoT xapaKTepno CTpeMJieHne nepecMOTpeTb HeKOTopwe nÖJiyneHHwe ao chx nop pemeHHH, pacKpbiTb Te huh mibie npoöjiCMbi Huane, MeM ohh pacKpbiBaJiHCb ao chx nop. Pa3yMeeTCn, 3to CTpeMJieHHe He Bceraa ocywecTBJiaeTca, « HOBaa » nocTanoBKa Bonpoca He Bceraa onpaBiibiBaeT ce6a, He Bceraa OK-asbiBaeTca hoboö b noflJimmoM, <|)hjioco(J)ckom CMbiCJie stoto CJioBa. HepeflKO Tara k « HOBH3He » Be/reT aBTopa k rnyôoKHM 3a6jiy*fleHHaM. B apyrnx cjiynaax OHa noflCKa3biBaer eMy oTaejibHbie HeBepHbie BbiBOflbi, xoth h n03B0JiaeT c^ejiaTb pa/i uennbix Ha6nioiienHiî h 3aMeHaHHii. Ho hmciotch Ha stom nyTH h necoMiiennbie «ocTH>KeHHa.
     Bee 3th pa3JiHHHbie cjiyian, KaK HaM npeacTaBJiaeTca, hmciot MecTO b paôoTax, nocBa-meHHbix TBopieCTBy Äßyx BejiHaafliuHX pyccKHX nosTOB naMa;ia XIX BeKa — IlyuiKHna h Jlep-MOHTOBa. Htoöw He BbixoflHTb 3a y3KHe paMKH o63opa, Mbi h orpaiiHHHMca 3Aecb paccMOTpeHHeM 3THX pa60T.
     MccJie^oBanne ôojirapCKoro yneHoro B e ji h o B e ji m e b a Ha TeMy Tpaeedun zopdopo ucKdHu.H nomaHUH, csoôodbi u mttopHecmea 1 ct3bht CBoeit uejibio nepecMOTpeTb HMeBiuneca no chx nop oueHKH HUefiHoro CMbicjia nosMbi M. K). JlepMOHTOBa « /Icmoh » h flaTb caMO-CToaTeJibHoe pemeHHe stoto Bonpoca.
     KaK 3to He pa3 oTMenajiocb coBpeMeHHbiMH jiep.MOHTOBeaaMH, HAeiiHaa KOHnenuHa 3aMe-HaTejibHoti no3Mbi JlepMOHTOBa pacKpbiTa ao chx nop oneiib c;ia6o.
     B coBpeMeHHbix AHCKyccHax o noSMe « /JeMOH » Bonpoc 06 ee hacühom coflep*aHHH coBep-meHHO 3aKOHOMepHO CBa3biBaeTca c BonpocoM o TBopnecKOft hctophh np0H3BeaenHa, o tom, KaKoö H3 BapnaHTOB (1838 roaa —«cnHCOK JIonyxHHoK» hjih 1841 ro«a — «cthcok <Phjio-
       1 Cm. J. Thomas Shaw, Puikin's Feofilact KosUhin : The Problem of the persona in journalism ; R. 0 p i t z, Etappen im Scheffensweg Lermontovs ; n. T. FI y c t o b o ft t, TlpoÖAeMa xapaxmepa c/iae.uniKux napodoe e Mupoeo33penuu A. H. Tepifena ; J. M. M e i j e r, Le roman « tiesy * de Dostojevski ; J. J3 1 a n k o f f, Les héros de Griboedov et de Tourgenev dans Vœuvre de Saltykov-Scedrin.
      *	Cm., Hanp., W. Vickery, Parallelism in the literary development of Byron and Puskin ; J. Mersereau: Lermontov and Balzac ; T. M. OpHflJienaep, Hac/iedue pyccKux peeoAtoifuoHUbtx doMOKpamoe u ezo 3Hanenue ôah pa3eumun caobahckux Aumepamyp ; T. T a h e, PoAb pycanux peeoAtoifuohHbix deMOKpamoe 6 camHoeAeuuu pyMUHCKOù npozpeccueuoù Aumepamypno-KpumuuecKoü mucau u eKAcd npedcmaeumeAeù ôoieapeKoù 3Muapaifuu e PyMbiHUu ; T. ühmob, Tpaduijuume na pycnama peeoAioyuoHHo-deMOKpamuuecKa ecmemuna ehe (ßopMupaHemo u pa38umuemo Ha ôbAzapcKama Aumepamypua xpumuKa, A. K o b a m. 3cmemuuecKue 63ZA*dbi BeAUHCKozo e PyMbiHuu; M. Wegner, iV. G. Cernisevskij und H. Hettner ; T. H u k o ji e c k y, Bkauô pyccKOio poMana e pa3eumue peaAU3Ma e py.ubiHCKOü Aumepamype e KOHye XIX u HauaAe XX e. ; G. Ziegengeist, Uber die Bedeutung von A. I. Herzens Schaffen fur das progressive deutsche Geistesleben in den fünfziger Jahren des 19 Jahrhunderts.
       8	H. H. B ji a r o h, Om üyuiKuna do Mühkosckozo, V Men<ÄyHapOÄHbift ci»e3fl cjiaBHCTOB (Co<J)hh). ^loKJiaflbi. M3zi. Mock. YHMBepcHTeTa. 1963.
       4	Cm. Be ji ho Bejineß, Tpazedus zopdoeo uckühuh no3naHux, ceoôodbi u meopuecmea (k eonpocy 06 udeÜHOù npoÔAe.uamuKe no3Mbi M. IO. JlepMonmoea «fleMon)», « OiaBJUicxa <t>HJioJiorHH », IV, CotfeH», 1963.
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