430
H30JIbflA BbIPCTA
K0Ba-np03anKa napaaoKcajibno 3ByHHT VTBepameHHe JT. EprnoBa o tom, HTo«He3a-ypaflHbiñ TajiaHT nncaTena pacKpbuica JiHixib b ero flp a m ary p r h h e c k h x npon3Be-fleHHax, rfle jiorHKoìi xyAoacecTBeHHbix o6pa30B yTBepacaaJiacb HeroSeacHocTt no-6eflbi HOBoro CTpoa»1. HeT, He3aypaaHbiH TajiaHT nncaTejia pacKpbinca KaK b ero nbecax, TaK h b ero pOMaHax. IIpHneM b o6ohx cjiynaax MbiuijieHHe riHcarena ocTa-eTca— mm 6bi cKa3ajiH — «apaMaTyprHnecKHM». Eojibinaa xyfloacecTBeHHaa CBa3b Meacay nbecaMH h poMaHaMH EyjiraKOBa yace oTMenanacb HCCJieaoBaxejTaviH2. B o6ctoaTeJibHOM h oHeHb HHTepecHOM nocjiecjiOBHH A. CHHKy k pyMbiHCKOMy nepe-Boay poMaHa ByjiraKOBa Macmep u Mapzapuma TaKace roBopHTca o BsaHMO/ieñcT-bhh CMeacHbix HCKyccTB b CTpyKType poMaHOB tajiaHTJihboro caTHpiiKa: „Tea-trul isi deschide neputincios peretii ca sa facà loe tumultului. Dacà Bulgakov este adesea tentât sâ-'à asculte personajele vorbind ìn grupuri mai mici sau mai mari, r.i, astfel, sa regizeze veritabile scenarii radiofonico, maestria lui atinge de sàvi ni rea in scene de masà, parca filmate pe écran panoramic, inserì de mare efect plastic r.i auditiv“3.
    H Bce-TaKH, HaHHHaa c 1966 r. o ByjiraKOBe roBopnJiocb nonra HCKjnoHHTejib-Ho KaK o nposaHKe.
    ByjiraKOB-poMaHHCT OTOflBHHyji Ha 3aflHHH njiaH EyjiraKOBa-apaMaTypra. A Meacfly TeM H3BecTHOCTb oh npHoòpeji hmchho KaK iipaviarypr, BnepBbie BbiCTy-nHB b KanecTBe K0MeflH0rpa(J)a b 1926 roay c nbecoM Somma Keapmupa4 h o6jia-jinn jiyHHiHMH TpaflHHHaMH pyccKOH K0Me;iH0rpa(j)HH. H xoTa nbeca 3Ta Moacer 6biTb 0xapaKTepH30BaHa KaK AajieKO He coBepuieHHaa, npoònaa, neperpyaceHHaa BHeuiHeH 3aHHMaTejibHOCTbK), b Heñ, 0flHaK0, coaepaca^HCb Te 3peHa hhcto 6yji-raKOBCKoro tOMopa, KOTopbie ^ajiH BnocjieacTBHH OTjiHHHbie bcxoæm KaK b KOMe-/max, TaK h b pOMaHax ÉyjiraKOBa. KaK KOMeziHorpa^-caTHpHK oh b sto BpeMa 6bIJI He OflHHOK. CaTHpHHeCKyiO THnH3aHHK) H MepTbl HHÆHBHUyajIbHOrO pa3HO-o6pa3HH Mbi HaxoAHM b KOMeflHax B. PoMauioBa, Bo3dywHbiü nupoz (1925 r.), A. Tojictoto, (PaôpuKa MOAodocmu h Hydeca e peíneme (1927r.), Jl. JleoHOBa, Ycmu-peiiue Eadadoiumma, B. KaTaeBa, Keadpamypa npyza (1928 r.) h apyrnx, MeHee 3HaHHTejibHbix5. K 3TOMy BpsMeHH HaMeTHJiHCb flBe, neTKO BbipaaceHHbie TeH/ien-HHH B pa3BHTHH KOMeflHH:
               1)	6biTOBaa (c 3JTeMCHTaMH caTHpbi);
                2)	ycjioBHO-rpoTecKOBaa.
    06e (JjopMbi pa3BHBajiHCb iwroBpsMenHo, B3aHMOfleìicTBya h oòoramaa apyr flpyra. HccjieflOBaTenH pasBurna coBeTCKoìi jipaMaTyprHH tohho Ha3biBaioT nbecbi, KQTopbie nocjiyacHJiH hcxoahmmh no3imHa\in juia pa3BHTHa flByx, yKa3aHHbix bh-
      1	JI. EpmoB, CoeemcKaH carnupunecKan npo3a, JleHHHrpaji, 1966 r, CTp. 13.
      2	B nacTHocTH A. OaiiKo BHfleJi 3Ty cBH3b, h b KanecTBe nppmepa poMaHa-m>ecbi npttBOAHJi Macmepa u Mapzapumy.
      3	Maestrul fi Margarita, CTp. 548.
4	B 3to BpeMH M. EyjiraKOB Harmcan eme ueJibiñ p»j komcahIi, KaK: Eazpoeuii ocmpoe,
 AdaM u Eea, E.vmcencmao, CuHoebH MyAJibt.
      6 Æ HraceBCKHft, CueoAanuHCKaH{\92ì r.); IO. lOpbHfi, HaifUOHaAU3aiJUn Jicettufuii (1924 r.); M. KpHHHiiKHÌ}, CoeemcK.an Keapmupa (1924 r.).