UN IZVOR NEOGREC AL „CAZANIEI“ LUI VARLAAM
183
      Bkjiiohhb b c(J)epy HCCJieaoBaHHa h XVII bck, aBTop ycTSHOBHji, hto oahh H3 ochobhmx BHîaHTHiicKHx hctohhhkob nponoBeaH (1643) MHTpononHTa BapjiaaMa iiBiraercn «CoKpoBHine», OrioaPpoç, HOBorpeneacoro nHcaTeaa XVI BeKa AaMacKima CTyAHra. üaMacKHH CTyAHT HB/iaeTca npeacTaBHTejieM ryMaHHCTH4ecKo-BO'ipo>Kaen'iecKoro KanpaBJieHMH, H3BecTHbiti b rpenecKoft Kyjib-Type XVI h XVII bb. BMecTe c MaKCHMOM MapryHHocoM (1542— 1602), MoaHHKHeM Kapxa-hocom, TecxJmHOM SjieaByjiKocoM, <Deo(j)H.noM KopHflaney (1570— 1646) h ap. UemrpoM 3Toro HanpaBJieKHsi 6bijin rpcMeCKiie noceaen Ubi BenenHn, rae aBTopbi 0ny6aMK0BajiH cboh ripoHîBeae-hhh Ha napoanoM snbiKe eiç ir\v koivî\v y'Kocaav, KaK 6oaee yaoônoe cpeacTBO pacripo-crpaHeHHH KyjibTypw b napoae h epeaeTBO b 6opb6e c ncaaMinMOM.
      Bce npoH3Be;iCHH>i MHTponojiHTa BapjiaaMa npoHHKHyTbi HaeoaorMeii 3Toro HanpaBJieHHa. BapnaaM b3»ji b KanecTBe o6pa3ua, nepepa6oraJi h flasce nepeBeji npoH-îBCiiCHHji, HarmcaHiibie Ha noBorpenccKOM snbiKe npeaciaBHTeaaMH yroro HanpaBJieHHa. BapjiaaM ncnojib30Baji sth npoH3BeaeHHa KaK b HOBorpenecKOM opHrHHaae, t3k h b cnaBHHO-pyccKHx peaaKUHax (cm. FI. OiiTaHy, Izvoare. originale si modele bizantino-slave în operele mitropolitului Varlaam, b B.O.R., 1970, 1 — 2 ctp„ 113—151).
     3th nucaTCjiH Ky.nbTMBnpoBa.nM pHTopnKy, sneweuTbi apaMbi. h pH<j)MOB3HHyK> npo3y. BapjiaaM hx ynscaeaoBaa nocpeacTBOM nepcBoaa H3 HOBorpenecKoro hctohhhk3. Mx najiHMHe b IlponoBeflH oGbacHaeTca caeaoBareabno ne no3aHHM 6apoKKo, a HOBOt penecKHMH hctoht
HHK3MH.	... MV, ' ■:
      Cpean 3thx nucaTeneii MoaaaBCKHîi yneiibiii MHTponoJiHT uiHpe Hcnoxib30Baji ¿laMacKMna Cry/im a, GbiBiucro 3K3apxa KOHCTaiminonoabCKOH uepKBH Ha YKpaHHe (1565 — 1572), c raBuiero enucKonoM, a 3areM HaBnaKTCKHM h apTCKHM miitpoiiojihtom b 3nHpe. Oh 6hji hctopmkom, HaTypajiHCTOM, n3BecTnwM opaTopoM m T.a. (cm. HccjieflOBaHiia cneuHajiHCTOB: K. Cara, Eopate Khhoc, P. A. JlaBpoB, M. Tpm<J)ohob, itoHKa ïleTKaHOBa-ToieBa, II. MjibeBCKHit h ap.).
      CjienoBaTejibHO, k sthm npaBocjiaBHbiM hctohhmk3m oSpaTHjica BapjiaaM h b Meitbiueü Mepe k ôapoKicy h an k îcaToaHnecKHM jiuxaHiiaM, KaK nonaraeT Jlacno Taliban, KOTopoMy 6biJi HCH3BecTen 3tot ochobhoB hctohhhk riponoRCan BapjiaaMa: Pem JJaMacKiina Cmyduma hjjh Knuea, itMenyeMaji coKponuufe, pipXtov 0V0|^aç0aEV0V Tiipa|3pôç, 0ny6jiHK0BaHHaa BnepBbie b BeHeuHH b 1557—-1558 rr. Ha H0B0rpeHecK0M OHa 6biJia HanCMarana b ôojiee 50 HiaaHHHx. Y npaBOCJiaBHbix CJiaBHH, oco6chho y kokhwx, BcrpenaeTCa 6oa.ee 200 pyKoiwceM. Y H3c, y pyMbiH, OHa H3BecTHa b HOBorpewecKOM h caaBsmcKOM opHrHHaae. 3to caMbift nonyaapHbift HOBorpcnecKH h nHcaiejib XVI—XVIII bb. B CBoe BpeMa oh CHHTaaca h BbicoKOKyjibTypHbiM HenoseKOM. BapjiaaM nepeBeJi H3 ero peweii 6oaee 200 crpannu, 0T6npaa naH6oaee 3KcnpeccHBHbie h xyaoacecTBeHHbie. TaK, oh nepeseji noHTH uejniKOM ero peiH o /KM3hh Hwcyca h /jeBbi MapHH,
o	BocKpecenHH JIa3apa, BOCKpecHbie pcMH h oco6chho peMH o îkh3hh h MyKax thpohckhx leop-, thh, HHKOJiaa, Ahmhtphh h <!>c.iopa, penH o KpecTe, MKonax, o 318 OTuax, o hhkcmckom chho;k a ap.
     B pa6oTe OTMewaeTca — npn iiomouxh conocTaBJieHHa opurunajibuoro HOBorpeHecKoro TeKCTa h TCKCTa cjiaBancKoro c nepcBOAOM BapjiaaMa h aB-ropa — HacK0JibK0 TBopnecKH ncnojib-30Baii BapjiaaM stot uchhuM hctohhhk. BapjiaaM 3anMCTBOBaji mhofhc anoKpMc[>»'iCCKHe (})OJib-KJiopHbie, (j)a6yjibHbie 3JieMeHTbi m HOBorpeHecKoro opHrHHajia.
      Mcxo/JM H3 3TOTO 3HaHHTejIbHOrO OTKpbITHa, CjTejyeT OTK33aTbCa OT BOCTOP'/KeHHOÜ ouenKH ochobh, CTHJia h opHrHHajibHoeTH Bapjia3M3, nocKOJibKy 3TH xieMCHTbi npHHaaJie'/KaT AaMacKHHy Ciyairry. 3iy tohky 3penHa caeiiyeT ynecTb b mctophh, a TaKace b hctophh /ipcbhcm pyMbiHCKOH JiHTepaTypbi (BKJHonaa HOBoe H3,iaiiKC nepBOro TOMa TpaKTata no hctophh pyMbiHCKOii jihtc-paTypw). B cbctc sthx hctohhhkob cjieayeT n3ynaTb h üibiK 3to0 crojib H3BecTiioii HponoBC/iH.
      BesycjioBHO, mhtpoüojikt BspjiaaM ocTaeTca np;i bccm 3tom TajianTTiHBinM riepeBOii'iHKOM. Ero <J)pa3a 3KcnpeccHBHa, tohhs. Oh coiaa.n H3 hspo/ihom «3biKe MoJiaoBbi nepBbie b hctophh pvMbmcKoro jiHTepaTypHoro a3biKa ctpshhuw xyaoîKecTBeHHOH npo3bi.
UNE DES SOURCES NEOGRECQUES DE «LA CAZANIA» DU METROPOLITE VARLAÀM (1643): «LE TRÉSOR» DE DAMASKINOS I.E STUDITE
(Résumé)
      L’identification des sources et des originaux des oeuvres homilétiques-parénétiques exige une large formation de philologue comparatiste, maître de la méthode, de la technique et des critères requis par de semblables recherches moncgrahgiques, aussi mir.ytieuses que de longue durée.