ii II(¡an Ba30B. TBopnecTBOTO Ha T03ii nucaTCJiii e nn,T,eno 11 o6hchcho Tana, KaKTO ca ro npeflCTaBHJin b H3no.i3yBaHHH ot B'bp6yjiccny MaTepnaji ÖMrapcKH 6ypHioa3Hii kpmtiiijh, npimaflJioKainH kt>m TpeTOTo TCHeniie. 3a «TeHfleHD,ii03HaTa» jniTepaTypa ce KaaBa, ne e BHeceHa ot Pycna 11 xapaKTepH0T0 3a hgh b E'BJirapiiH e, ne nHcaTeJiHTe hc ca CTpeMHT fla nocTiir-HaT ecTCTiniecKa eMomiH, a npecJieflBaT h3bccthh Hfleii h TOHfT,emui», ciicu,iia.iHO noJiHTiiHecKii h coipiajiHii. Ta3ii JiiiTepaTypa e npoTHBHiiK Ha KaKBaTo 11 ,rja e Tpap,Hii,HH, BOflii 6op6a 3a H3BecTHii coi;najrnn pe$opMH, npea koiito ce CMHTa, ne m,e ce OTCTpaHH 3Jioto ii HyjKflHTe ot nacTOHmuH >khbot ii me ce BT>3HapH flOÖpOTO, paBeHCTBOTO II 6paTCTBOTO B ßl.JlrapiIH. CnoMeHaBa ce 3a TBopnecTBOTo Ha A. Kapmvia oKanecTBeHo. KaTo c.na6o He nopain TCHfleHii,ii03H0CTTa b Hero, a nopain jinnca na iiiicaTeJiCKii flap. Ho Ta3ii JiHTepaTypa, Ka3Ba EtpSyaecKy, e npeflCTaBeHa no-^oöpe b noesHH-Ta, K^eTO TBopn fl,apoBHTHHT noeT Hojihhob. Toh MOHTae 3a eßim cbht, KaKT>BTO He c'tm.t'CTByBa h eflBa jiii e c'MuecTisyBa.T HHKora, cbht, b kohto fla HHMa noTiicHaTii, hhto poßn, hhto ny;K;i,acLnii ce, hhto Mii3epnH, hiito 6oraTamn (cTp. 15). B cßopHHKa Om u3moK do 3anad Hojihhob noMecTBa npoH3BejjeHHH c BHeoKa xyflOHtecTBeHa ctohhoct, noBene no OTHomeHHe na H3Ka3aHaTa b thx mhct>ji, otkojikoto no noeraKaTa ch. Eto 3am,o Te3ii CTHXOTBOpeHHH , BTiIipCKlI Te H/JOH HIIO3HOCTTa C1I « C6 33nOMHHT ÄMI'O, thxhoto Bfl'bxuoBeHHe Te fl’bpHxii flMro b HanpejKemie h tc Kapa ;i,a mhc.tuiii , TaKa KaKTO hiito efliut ot HanniTe .iiiTcpaTopu ho Te noflTHKBa ^a mhcjihih h HyBCTByBam»1. Ho Ei>p6yjiecKy noBTapa ayMHTe na «hhkoii S'BJirapn» cnen,najiHO Ha C. TaHeB, KoroTo h n,imipa, ho TOBa tchchhc e oßpeneHo Ha ra6eji. To ne MOHkc Ra >KiiBee ffMro. BiJirapcKiiTe 6ypjjKoa3Hii KpiiTiinii, a 3aeflHO c thx ii M.thc EipGyaecKy He ca MorJin 3a bh^ht npamuiHo pa3BHTHCTO Ha Ta311 jiiiTepa-Typa b ßi^eme- Cjiefl Hojihhob th hc caMO hc sariraa, a b hoh 30 1944 roflHHa ii3rpHxa TajiaHTH KaTo XpiiCTO Cmiiphohckii, Teo MnjieB, H. ß. Bamjapoß, kohto h H3fliirHaxa Ha mhofo iio-bhcoko iifleiiHO h xy^oatecTBCHo paBHHm;e. KaTo iipeflCTaBiiTCJiH Ha MoflepHHCTHTe Bo>p6yJiecKy nocoHBa 11. Hßopoß K. XpiiCTOB, T. TpaHHOB, a KaTo ocHOBaTeJi Ha TOBa Te4CHHC — IIchho CjiaBeüKOB «dascälul moderni§tilor-simboli§ti ai Bulgariei » («ymime.i na (rbjisapcKume ModepHUcmu-cuMeojiucmui>) (cTp. 116). Ilofl BJiHHHiie Ha 6yp>Koa3HaTa .THTepaTypna KpHTHKa, a h caM Heim H3pa3HTeji, H.ine BT.p6yjiecKy He e mo>kc.t fl,a Biiflit h «pyrii CTpaHii b TBop-HecK0T0 pa3BHTiie Ha Te3H noera m nopain TOBa ^aiia norpemHa npe^cTaBa Ha pyMljHCKHH HHTaTeJI 3a THXHOTO TBOpneCTBO2. «Hai^HOHaJiHOTO TeneHHe» e Haii-pa3npocTpaHeH0To JiHTepaTypHO Te-neHHe b EMrapiiH. To 0Tpa3HBa /KiiBOTa b ceJioTO 11 rpa^a, aaiBOTa Ha GoraTiiH h Ha yHH3eHHH öeflHHK, Tana KaKTO imcaTc;iiiT m bh>K#a b caiiaTa ,n;eHCTBHTeJiHOCT. TjiaBeH npeflCTaBHTeJi Ha TOBa Tonern«! e 11 Bau 1 Il3Ka3BaHeTO e Ha Huk. ATaHacoB b CTawiHTa My, nyß.iHKynaiia b «BtarapcKa CTapima», Co$hh, 1 imyapii, 1910 ro«., UHTiipano ot B-bpoyjiecKy. 2 Btpxy H3Ka3BaHHHTa Ha H;nie Ki,puy.TecKy 3a C.'iaBeÜKOB me ce BT»pHeM nan, TT>ii KaTo toh e Hamicaji oCmiipua CTaniH 3a tboptoctboto Ha rojieMiiH 6i.JirapcKH noeT. 463