KaTa My Thaume na Eweapun, OTiiCTaTana b ByKypem (1876), caM Ba30B noflMepTaBa : «Bchhkh craxoTBopemiH ot t33h c6npna ca nncaHit b ByKypem, b KBapTiipaTa mh Ha «Intrarea Rosetti» no/j BiieqaTJieHireTO ot rpo3HHTe hobhhh, npHCTiiramn ot Bi.JirapHfl noflap noTymaBaHeTo na bt>c-TannoTo il npii oòoflpiiTCJiHHTC CJiyxoBe 3a H0ii36eH<H0CTTa Ha pycKo-Typ-CKaTa BoiiHa»1. Ch>mo h 3a m>pBaTa ch c6npKa CTiixoTBopeHHH JI panopeu u eycjia, H3flaflena bcc b 1876 rofl b ByKypem, Ka3Ba: «IIoBeHeTO ot cthxo-
TBopeHHHTa, BJIC3JIH B TaH MH CÒHpKa, Ca HIICaHH OHJ,e B COHOT-OCTaHaJIHTC
b ByKypem,»2.
    KaTo Botcb h KapaBejioB, 11 Hbbh Ba30B oTpasHBa b tbophcctboto CH KapTHHH OT HîHBOTa II HpiipOflaTa Ha PyMtHHH. B CTIIXOTBOpeHHeTO EMaapumm e Eynypeiq toh onncna c irtsTopr CTOJraijaTa Ha PyMbinui, kohto 3a Hero e TOJiKOBa xyôaB h HHTepeceH rpafl, ne nHJia KHiira ho 6ji My cTiirnajia, ano 3ano*iHe ^a onncBa KpacoTiiTe h. B'b3XHin,eHHe ot Kpaco-TaTa Ha pyM'bHCKa'ra npupo/ja HaMHpaMe b CTIIXOTBOpeHHeTO Pa3xodna do EaHHca, a b noBecTTa HeMUjiu-nedpazu Ba30B piicyBa c tojihmo xyflo-JKeCTBeHO MaUCTOpCTBO /KIIBOTa Ha 6’BJirapCKHTC XliILTOIìe B PyMTiHMJI IipeflH OcBOÒOJKfleHHeTO.
    ÛKasajia mi e umimaie pyMtHCKaTa JiiiTepaTypa Bi>pxy MJiafliiH tokj -mo (jtopMiipam ce KaTO noeT Ba30B? B pa3roBop c Hb . IIIiimMaHOB 3a BpeMeTo, iipeKapano b OjiTeHima npe3 1870 ro^;., Ba30B Ka3Ba: «B OjiTeHiin,a HHMax Hii CuirapcKH, hh pycKir khhth h tjctìix caMo pyMtHCKii aBTopn. lihho mh 6eme mh B3o;i y hi ito ji no pyM'biicKii, hhkoìì cii Kpenyjiecny, kohto Bi/rpc b 2—3 Meceija Me 3ano3iia c TaiÌHHTe Ha cboh e3iiK. B TOBa BpeMe nor-jn>max raaBHO AjieKcaHflpii, BojiiiHTiiHiiHy h flp. IIomhh om,e ot Bojihhth-HHHy o/i,iio cTiixoTBopeHiie «Bâtrînul» («Cïapei^T»), KoeTO ce 3axBam,auie c flyMHTe:» «Amara e via^a cînd» («ropmiB e >kiibott>t Koraio») h np. PyMT>H-cKHTe noera mh flafloxa no-nocjie pa3Mepa 3a MHoro moh craxoTBopeHHH, ho no ciojKeT pyMT>HCKaTa noe3HH mh ocTaHa Hyæfla»3.
    3ano3HaJi ce o6a*ie c pyMT>HCKaTa JiHTepaTypa b opnrHHaji b momcht, KoraTo ce ÿopMiipa KaTo noeT, Ba30B He MO!«e ,n,a He nperbpnn H3Becrao BJIIlHlIHe H B CK)/KeTH0 OTHOmeHIie. HhKOH II3CJieflBaHIIfl BT>|)Xy Ba30BH TBopÔH OTnpeffH 0cB060HSfleHiieT0 H0Ka3BaT, ne toh HaiicTHHa e nperbp-naji BJiiiHHHe ne caMo no OTHOmeHIie Ha MOTpiiKaTa h npn npeflaBaHeTO Ha HHKOH npnpoflHH KapTHHH4, ho h b ofijiacrra Ha TeMaTHKaTa5.
    IIpe3 60-Te h 70-Te roflunn Ha XIX BeK Ha pyMi>HCKa TcpHTopttu ce 3apa3K.ua h pa3BiiBa fì'MrapcKiiHT HaijHOHajieH Tearbp h 6T>JirapcKaTa flpa-MaTypriiH. HaneHKii Ha TeaTpaJina ^chhoct HaMiipaMe npe3 T03ii nepuofl
    1	npoij). HB. niHIUMAHOB, Mean Ba3oe. CnoMenu u doKyMenmu, Coijiim, 1931, cTp. 191.
    2	npo$. Hb. HIHUIMAHOB, num. w., CTp. 187.
    3	Ilan maM, CTp. 33—34.
4	lîæ. P. CHRISTOPHOROV, Ivan Vazov, La formation d'un écrivain bulgare
(1850—1921), Paris, 1938, r.iana II, hjih ot cmuih aBTop b>k. TeopnecKomo paaeumue Ha Hean Baaoe, Co$hh, 1941, rji. II.
    6	VELICIKO VÀLCEV, Ivan Vazov in Romînia, « Roinanoslavica », VI, 1962, CTp. 133—147.
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