TopbHoro, oi’MCHaioT ra3era, HBJineTcn bhcokhm o6pa3u;oM ^jih pyMBiHCKHX nHcaTejieii b flene cayHtennn Miipy h con,na.uii3My. IIo,n,HepKHBai[ ikh3Sgh-HOCTB ' aCTGTHHeCKHX KOHB,eiTipiii TopBROro, HX ray60KyI0 CBH3B C 5KH3HBK), «CKBiHTeHH» mtcajia HaKaHyHe 1-ro c^esaa pyMbiHCKnx iiiicaTCJieii: «8ctcth-necKiie KOHn,enn,HH TopBRoro hmciox TeM Sojibinyio ySejn^aiomyio cnjiy, mto penB u,n;eT He npocTO 06 aficTpaKTHiix Teopnnx, a 06 Hfleax >khbbix, npoiicTeKaiomux npnMo 113 orpoMHoro npeo6pa3yioni;ero Tpy.ua napran KOMMyHHCTOB H COBCTCKOrO HapOfla, H3 HCKJIIOHHTeJIBHO 60raT0H npaKTHKH TBopuecTBa TopBKoro h MHornx ero co6paTBeB no nepy»1.
    BBicoKoe xyp;ojKecTBeHHoe MacTepcTBO FopBKoro, ryMaHH3M n HeTepnn-MOCTB K «Mep30CTHM JKH3HH» CJiyjKHJIH npHMepOM flJIH pyMBiHCKHX lIHCaTC-
Jieii n flo ocBo6o5KfleHnn. Ho jinniB nocJie 23 aBrycTa 1944 rofla npnMep TopBKoro Mor flaBaTB SoraTBie njio^Bi.
    PyMBiHCKne nncaTCJin cTapniero noKOJieHnn niimyT o tom 6ojibiuom BnenaTJiennn, KOTopoe npon3BOflHT Ha nnx «raySnna n ryMaHH3M mbicjm TopBRoro», «3pejiocTt ero JiHTepaTypHoro ncKyccTBa», «ocTpoTa ero flyxa»2, K0Mn03nn,nn. ^eMocTCHe BoTe3, padoTaBmnn Hap; nepeBOflOM «JKh3hh KjinMa CaMrnHa», nncaji, hto oh yBnpeJi Boonnio, Kan C03flaeTCH Tnn npeflCTaBn-Tenn H,eJioro KJiacca3. 4e3ap neTpecny, nepeBOflnnK MHornx npon3Be,o;eHHH TopbHoro, oTMenaeT 3pejiocTb n b to ?Ke BpeMH npocTOTy ero cthjih, MCTa-(j)OpJIMnOCTb H 06pa3H0CTB. rOBOpH 0 TOM, MCMV JIHMHO OH HayHHJICH y TopbHoro, Hesap neTpecKy OTMenaeT, hto 3HaKOMCTBO c TBopnecKoii JiaGo-paTopnen TopbHoro «ocTaHeTCH flJia Hero oji,hoh H3 caMBix peflKnx 3mou,hh, KOTOpBie Moran 6h Korfla-nnSyflB ocBeTHTb 5KH3Hb nncaTeJin »4. He3apy neTpecKy npunaflJiejKaT 3aMcxiaTejn»HBie cJioBa 0 xy0 JKecTBchh0m MacTep-CTBe TopbKoro: «KomteHTpnpoBaHHoe ncKyccTBO, CBefleHHoe k kbhht-3CeiIII,HH JKH3HII, KaK COBepnieHHblH OpraHII3M, B KOTOpOM HHMTO HO HBJIHeTCfl jrintuniM, HeT nnuero, hto He OTBenajio 6bi onpe^eJieHHon cpyHKumi »5.
    Ha CTpaHHii,ax pyMHHCKPix ra3eT n jnypnaiioB nocjie ocBo6o>KfleHHH nonBJiHiOTCH MHoronncJieHHbie pa6oTbi o TopBHOM: 3to h aHajiii3 OTfleJiBHBix npoH3Bep;eHHH TopBHoro, b tom HiicJie Tex, KOTOpBie nepeBep;eHBi Jinnib nocjie 1944 ro^a. Cpe^n hhx CJieflyeT otmbthtb pa6oTy M. HoBHKOBa «MecTO poMaHa «}Kii3Hb KniiMa CaMrnHa» b TBopnecTBe TophKoro», nann-caHHyio b 1951 rofly. 9to h cTaTBH, b kotopbix fleJiaeTcn nonBiTKa npocjie-flHTb aBOJiioipuo HflenHO-TBopnecKoro nyra TopBKoro, flaTB npaBHJiBHoe ocBemeHne oT^ejibHBix 3TanoB ero TBopaecTBa6. Ecjih b Hanajie, cpa3y nocjie 1944 ro^a, mhothm cTaTBHM nopon He xBaTaeT snannn coBeTCKoii JiHTepaTypBi, to ynte k KOHH,y 40-x roflOB CTaTBH, nocBHin;eHHBie TopBKOMy, xapaKTepn3yioTCfl nan npaBiiJiBHon opneHTnpoBKon, Tan n 3HaHneM pyccKoii
      1	« Scinteia », nr. 3623, 1956.
     2	Maxim Gorki, (Buc., 1957), CTp. 3.
    3	TaM Me.
     4	CEZAR PETRESCU, La scoala realismului socialist, « Viata romlneasca», nr. 7, 1954, CTp. 247.
    5	Tom Me.
     6	CM. TUDOR VIANU, Mesajul lui Gorki, « Probleme de literatura », nr. 3, 1957; AL. PHILIPPIDE, Gorki povestitorul, «Veac nou», nr. 46, 1956; SILYIAN IOSIFESCU. Prima perioada a dramaturgiei lui Gorki, « Probleme §i opere contemporane. Studii literare », ESPLA, Buc. 1954.
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