A. II. ^exoB). Ho BMecTe c TeM npoJieTapcKaa no93HH, b nepByio onepe^b peBOJUoi^HOHHOH, He Morjia He CHHTaTb Bpa>K,ne6H0H ce6e Bcanyio TeHflCHHHio k noHCKy HfleaJia BHe jkh3hh h oco6chho BHe 6opb6bi. flena-^eHTCKan no33HH 6biJia — HecMOTpn Ha bcc ee pa3H006pa3iie — no33Heìi «MnpoBOH cKopSn», oTCyTCTBHH nepcneKTHBH, no33HeH (npenyje Beerò) an0KaJiHnTHaecK0H. HanpoTHB, npoJieTapcKaH no33HH òbiJia CBeTJioii, onTiiMHCTHHecKoii, noJiHoii BepH b HeJioBeKa n ero chjih. lIoaT.oMy paóoniie noaTU, n03TM-peB0JiH)u,H0Hepbi, b HeKOTopwx CJiy-MaHX TaK H OCT,aBIHHeCH HeH3BeCTHHMH, C03,HaJIH He TOJIbKO n033HI0, npM3H-Baiomyio k 6opb6e, ho h HOByK) «scTeTunecKyio nporpaMMy» («ars poetica»), B KOTOpOH MH HaxOflHM, B HCCKOJIbKO HHOIÌ KfleHHe, 6hjih, xoth 6li Ha BpeMH, OTOflBHHyTLI Ha BTOpOÌi HJiaH. EBreHHH TapaCOB rOBOpHT 06 9T0M OHCHb BHpa3HTeJIbH0 B CTHXOTBOpeHHH, KOTOpOe HBJIHeTCH OflHOBpeMeHHO h H3HmH0H nacTeJibio h nJiaMeHHOH 3am,HT0H yèewfleHHH. no9T H0Ka3biBaeT, hto h oh nyBCTByeT KpacoTy npHpoAH — oh «BocneBaeT» HeMyio KpacoTy, ySeraiomHH b TeMHbie ^ajiH nojien «noJiyMpaK ajuieH» H3 BeKOBbix ^epeBbeB hjih 3pejiHme TyH, KOTopue Bce apae pa3ropaioTCH Ha 3anaTe. Ho TyT-Hte flo6aBJineT: Ho 3a6uib, TTO UBeTH il IT III b OT TOpOTH CJie3 Tan KpacHBH, TaK npKH Ha cbc/Kom Jiyry, Ho 3a6HTb, tito ajuien ctojictiihx 6epe3 Pa6cKHM HOTOM 3ajiHTH Ha KaatflOM inary, Hto HO/KapM 3aKaTa — npeflBecTHiiKii rpo3, — HnKorfla h He Mor, HiiKorfla He CMory. B flpyroM CTHXOTBOpeHHH TMbipeBa Ta Hte Hen0K0Jie6HMaH pemiiMocTb JinpOTecKoro repoH 0TKa3aTbCH ot Beerò, hto eMy MemaeT nojiHOCTbro nocBHTHTb ce6a peBOJiK>n;HOHHOH 6opb6e, pacKpHBaeTCH b cbh3h c «Beraoii TeMOÌi» JIH)6bH. CTHXOTBOpeHHe HBJIHeTCH KaK 6u OTBeTOM (HanHCaHHOM Ha HeCKOJIbKO fleCHTHJieTHÌi paHbme) Ha H3BeCTHHÌÌ npH3HB CHMOHOBa «JKflH MeHH ». Bopeq, kotophh KajKflHH fleHb BCTpeHaeTCH c onacHocibio cMepra, 3aKJiHHaeT B03JiK»6jieHHyi0: «He jkah MeHH...» no9T He oTpnnaeT jiioÒbh, 251